Please use this identifier to cite or link to this item: http://cmuir.cmu.ac.th/jspui/handle/6653943832/71090
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dc.contributor.authorYuji Babaen_US
dc.date.accessioned2021-01-27T03:33:00Z-
dc.date.available2021-01-27T03:33:00Z-
dc.date.issued2015en_US
dc.identifier.citationASR: Chiang Mai University.Journal of Social Sciences and Humanities 2, 2 (Jul-Dec 2015), p. 115-124en_US
dc.identifier.issn2465-4329en_US
dc.identifier.uri003 CMUJ-ASR 2015(2).indden_US
dc.identifier.urihttp://cmuir.cmu.ac.th/jspui/handle/6653943832/71090-
dc.descriptionASR (Asian Social Research) was first launched in 2014 by Chiang Mai University. However, it has a longer history, with its genesis in 2002 as part of Chiang Mai University Journal.This journal was split into two in 2007, with the formation of ASR's predecessor, the Chiang Mai University Journal of social Sciences and Humanities, which was later restyled as ASR in 2014, and began publishing online in 2015.en_US
dc.description.abstractThe people called Lua-mal, living in the mountains of Nan Province, Northern Thailand, hold the Bon Chot ritual every August to entertain and strengthen the soul of rice grown in a dry field. During the ritual period, the soul of the rice is invited from the dry field, while villagers march in the village, beating Pi, a bamboo sound-producing tool, to entertain the soul of rice in expectation of a good harvest. The Pi can be beaten only during the ritual period and only within a village. Pi is a sound-producing tool for religious purposes, rather than a musical instrument used in an ordinary music performance; it is connected to the villagers’ life in nature. However, the role of Pi may change in the future, becoming a musical instrument for enjoyment, as the sociocultural economy of the Lua-mal changes. In recent years, with the demand for biofuel, corn has increasingly become a commercial, rather than subsistence crop for the Lua-mal. If rice production declines, the role of Pi to entertain the soul of rice may be lost, and Pi may exist only as a musical instrument for an audience, and no longer limited to the specific ritual period or inside the village. It may even be used to attract and entertain tourists.en_US
dc.language.isoEngen_US
dc.publisherFaculty of Social Sciences and Humanities, Chiang Mai Universityen_US
dc.subjectLua-mal peopleen_US
dc.subjectBamboo sound-producing toolen_US
dc.subjectSoul of riceen_US
dc.subjectBon Chot ritualen_US
dc.titleChanging Role of Pi, a Bamboo Sound-producing Tool, in the Bon Chot ritual of the Lua-mal in Nan Province, Northern Thailanden_US
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