Please use this identifier to cite or link to this item: http://cmuir.cmu.ac.th/jspui/handle/6653943832/58194
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dc.contributor.authorMatthew Yoxallen_US
dc.date.accessioned2018-09-05T04:20:54Z-
dc.date.available2018-09-05T04:20:54Z-
dc.date.issued2018-04-03en_US
dc.identifier.issn1470112Xen_US
dc.identifier.issn13569783en_US
dc.identifier.other2-s2.0-85045287790en_US
dc.identifier.other10.1080/13569783.2018.1438179en_US
dc.identifier.urihttps://www.scopus.com/inward/record.uri?partnerID=HzOxMe3b&scp=85045287790&origin=inwarden_US
dc.identifier.urihttp://cmuir.cmu.ac.th/jspui/handle/6653943832/58194-
dc.description.abstract© 2018 Informa UK Limited, trading as Taylor & Francis Group. Certain repeated moral narratives support justifications for humanitarian interventions, and simultaneously inform perspectives of ‘the figure of the refugee’. How does ‘the humanitarian’ appear in these narratives? How are the characters of ‘the refugee’ and ‘the humanitarian’ constructed in relation to one another? How does their interlinkage potentially affect refugees’ agency to act, within a neo-liberal and universalist trope of geo-political expansion? In this article, I respond to these questions and describe a theatricality of humanitarian action. I do so by drawing on experiences as a theatre-maker working in a refugee resettlement programme in Thailand, in 2007–2008.en_US
dc.subjectArts and Humanitiesen_US
dc.subjectSocial Sciencesen_US
dc.titleAt the ‘frontiers’ of humanitarian performance: refugee resettlement, theatre-making and the geo-politics of serviceen_US
dc.typeJournalen_US
article.title.sourcetitleResearch in Drama Educationen_US
article.volume23en_US
article.stream.affiliationsChiang Mai Universityen_US
Appears in Collections:CMUL: Journal Articles

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