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Please use this identifier to cite or link to this item: http://cmuir.cmu.ac.th/jspui/handle/6653943832/49654
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dc.contributor.authorAmporn Jirattikornen_US
dc.date.accessioned2018-09-04T04:05:01Z-
dc.date.available2018-09-04T04:05:01Z-
dc.date.issued2011-02-01en_US
dc.identifier.issn14740680en_US
dc.identifier.issn00224634en_US
dc.identifier.other2-s2.0-79952923888en_US
dc.identifier.other10.1017/S0022463410000524en_US
dc.identifier.urihttps://www.scopus.com/inward/record.uri?partnerID=HzOxMe3b&scp=79952923888&origin=inwarden_US
dc.identifier.urihttp://cmuir.cmu.ac.th/jspui/handle/6653943832/49654-
dc.description.abstractThe Shan State Army-South (SSA-S) is today one of Burma's largest remaining ethnic opposition armies. This paper investigates ethnic politics of the SSA-S and their strategic use of media. It argues that Shan insurgency today has moved into a new phase characterised by its intense involvement with mass media. The paper examines, on the production side, the Shan insurgency's media products and its networking with the Thai press. On the reception side, it explores how the images of ethnic insurgency are consumed by Shan audiences living in exile, analysing how long-distance Shan nationalism is generated through the spectatorship of these 'militarised' images. © 2011 The National University of Singapore.en_US
dc.subjectArts and Humanitiesen_US
dc.subjectSocial Sciencesen_US
dc.titleShan virtual insurgency and the spectatorship of the nationen_US
dc.typeJournalen_US
article.title.sourcetitleJournal of Southeast Asian Studiesen_US
article.volume42en_US
article.stream.affiliationsChiang Mai Universityen_US
Appears in Collections:CMUL: Journal Articles

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